Boss BCB-60 Pedal Board Repair

This pedal board quit completely during the church service.  Joe got it going again by rewiring around everything after he realized that the power supplied from this pedal board died.  Could the Unbrokenstring Crew get to the bottom of this issue?

Joe has his name on everything!  This pedal board is actually a big rugged tool case, with a self-contained power supply for all the pedals.  Velcro holds everything in place.  As this problem did not actually involve any pedals, they were removed before we got this unit to repair.

 

This is the model number.

 

This is the serial number.

 

Company name and nation of origin.  Not China!  (Yes, I am one of those people.)

 

This panel distributes audio and power in and out.  When power is applied, there is no power out.

 

This is a closeup of that panel.  HINT: You can use any 9v negative center power source, with sufficient capacity.

 

Audio jacks are on the right, and power is on the left.  This whole assembly is wired like a loop-back panel.’

 

Removing the connectors allows full access to the circuit boards.

 

Interestingly, the middle board shares power.and audio.  See the diode?

 

Examination of the solder joints reveal excellent workmanship.

 

This diode on the center board is a anti-polarity-reversal diode.  This prevents bad power from reaching the pedals.  When this diode has failed open-circuit, it prevents ANY power from reaching the pedals.

 

This diode is equal or better than the original part and is the highest-spec’d part that would fit on the board.

 

Reassembly is the reverse of disassembly.

 

Audio and power functions are now completely restored!

Thanks for reading all the way to the end!

CONTACT – David Latchaw EE
281-636-8626

Behringer T1953 Preamp Refurb

This preamplifier and microphone processor is in the audio chain of every hit produced by Majic$tyle Studios over in Houston’s 3rd Ward.  But it quit one day.  So the music quit.  Could the Unbrokenstring Crew help the Majic$tyle Crew bring back the music?
Like many recording facilities around Houston, the modest studio in the back room has a lot of history.  A lot of talent in the Houston Urban Contemporary and Hip Hop scene have stood in front of this box, layin’ it down.

 

This unit needs an overhaul.  A quick tour of the front panel reveals input level controls for two channels.

 

Phase and tone controls are here.  The tone control can be completely bypassed, which can be useful.

 

These inexpensive meters actually do a pretty good job of displaying dry level and processed (wet) levels for each channel.

 

The ‘warmth’ is another term for the wet signal, routed through a starved-cathode tube circuit.

 

Power input and device info is found on the back.

 

All of the inputs and outputs are on the back.

 

The cabinet screws are a different length.  This is noted.

 

The DC power management and toroidal line transformer are located in the center.

 

All of the rear panel wiring is done with a circuit board, with the wiring harnesses glued to the chassis.

 

We are missing some DC voltages, so our investigation will focus on this circuit board.  What a heat sink!

 

Toroidal transformers are the way to go in high quality audio equipment.

 

Behind the front panel, we see a pair of 12AX7 dual triodes living on this circuit board.  The incandescent light bulbs are burned out, but are for aesthetic purposes only.  We will have some fun with these!

 

The rest of the front panel circuit board is almost entirely encased in sheet metal, as shielding.

 

I documented these cables, in case I needed to disturb them.

 

Can you see the bulged electrolytic capacitor?

 

Hot glue is used to keep all the connectors connected and all the big parts from moving around.

 

With the wiring harnesses removed, this circuit board is held in place by screws that fasten the power semiconductors to the heat sink.  When those screws are removed, the circuit board assembly can be repaired.

 

Remember the bulged capacitor?  It leaked out the bottom.

 

This power supply will get a full cap job.

 

The electrolyte from the leaking capacitor has chewed away some metal from the circuit board and a couple of the solder joints.  This will need to be taken into consideration when the new parts are installed.

 

The blue jumper wire restores continuity on the corroded trace seen in the previous picture.

 

New caps are installed!

 

Here is another view of the new skyline of our power supply board.

 

Heat sink grease is used to insure thermal transfer from the power semiconductors to the aluminum heat sink.  This tube of compound will probably live longer than I will.

 

The tabs of the power semiconductors SHALL BE isolated from the heat sink.  Here, an ohm meter checks for isolation.

 

Those incandescent light bulbs are not part of the signal chain, but just serve as a back light behind the vacuum tubes.

 

These are 24v bulbs.  I could just replace them, but why would I pass up a little fun with just a stock replacement part?

 

The tip of the base of the bulb is actually a specially shaped bead of tin/lead solder, which holds one of the terminals from the filament of the light bulb.  So, I desoldered it.

 

One of the leads from the filament goes to the side of the metal base of the bulb.  So I unsoldered as well.

 

This is a better view of the base, showing the central terminal.

 

The glass bulb comes out.  Besides the broken glass, you can see bits of glue on the rag.

 

The plan is to add LED lights in place of the bulb.  This is the series limiting resistor for 24 volt service.

 

It hides inside the base, as shown.

 

These red LEDs are built on top of the resistor and are supported by the bulb base.  This is gonna be cool.

 

The meters are also internally illuminated.  These meters will get yellow LEDs.

 

The front panel will get a million-mile cleanup and polish.  Off comes the knobs.

 

These bushings keep all the knobs turning smoothly.

 

Now that the front panel is free, it can be cleaned and polished with Gibson Guitar Polish.

 

Removing the knobs is the only way to get the grime out from down around the knob shafts.

 

The clear windows are polished on both sides.

 

Behind the aluminum panel, we have rotary encoders for the wet level control duties.

 

All the low level audio is contained on this double-sided circuit board.  Any copper that isn’t signal is audio ground.

 

The switches are cleaned and lubricated.

 

With the front panel removed, this chassis is just floating.

 

Let’s take a quick peek underneath the audio shield.

 

Audio gain duties are handled by TL074 opamps.

 

Here are the microphone preamp chips.  These are surface-mount JRC4580s.

 

Here is the other mic preamp 4580.  OK, we’ve done our gut shots for the day.

 

Now let’s get these meters done.  Hot glue is everywhere.

 

Once these meters are removed from the front panel, they can be easily serviced.

 

The lens and front bezel come right off.

 

So far, we haven’t destroyed anything.

 

The meter scale just lifts out of the body of the meter.

 

Here is where we are so far, keepin’ it real.

 

If we peer inside the body of the meter, we can see a ‘grain of wheat’ lamp.  These are all burned out.

 

I will attempt to reuse the leads to each of the bulbs.  The burned out bulb is removed.

 

To get a little bit more room to move around, I’ve removed the meter movement.  Be very careful!

 

The meter bulbs are 12 volt units, and two of them are in series because only 24 volts is available.  This is the LED current-limiting resistor for one of the meter illuminating LEDs.

 

I purchased a bunch of these 1% resistors years ago from Texas Instruments (TI) and so these are probably collectors items.  Why not use them on this project?

 

Here is the yellow LED and resistor installed inside the meter body.

 

Now the meter face is reinstalled.

 

The clear lens is popped out of the bezel for cleaning and polishing.

 

Everything is reassembled and the meter movement is zeroed.  Ahhh, that’s done!

 

This shield was loose under the circuit board assembly that held the tube sockets.  What’s up with that?

 

Turns out, these standoffs were unscrewing from the bottom.  More LokTite, please.

 

This is going to take three hands.

 

Unfortunately, I only have two hands.  But The Unbrokenstring Crew can make it happen!

 

Let’s reinstall the front panel and do a final assembly.

 

The meters are gently torqued onto the panel.

 

The knobs and bushings are restored.  This is starting to look nice!

 

The red and yellow LEDs are doing their job.  Unfortunately, the .jpg engine in my phone camera is making the red LEDs behind the vacuum tubes look a little gaudy.  Oh, well.  More importantly, this mic preamp works well and is DEAD SILENT with no input signals.  I think the rebuild went pretty well!

Thanks for reading all the way to the end!

CONTACT – David Latchaw EE
281-636-8626

KRK Rokit8 Powered Studio Monitor Repair

Steve used these monitors in his studio constantly. Unexpectedly, they broke. Can the Unbrokenstring Crew bring them back to life?

These monitors have no grille so the raw loudspeakers were given a little protection for the trip to the shop.

 

These are entirely self-contained, with power supply, amplifier, input attenuation, and high frequency controls built in.

 

Name, rank, and serial number, please.

 

The high frequency control rolls off audio energy going to the tweeter, thus acting as a simple tone control.

 

The balanced input line is a nice touch!

 

The fuse is located in a drawer built into the IEC power jack.  This fuse is open.  What caused this?

 

Let’s take a look inside.  I like all the acoustic attenuation batting inside this unit.

 

The swollen electrolytic capacitor is highly suspect.  Let’s test it.

 

This Chinese capacitor meter shows that all is well.

 

This kit ESR meter shows a very reasonable number for internal losses for a capacitor this size.  What gives?

 

The old 1950s technology Heathkit capacitor checker tests this unit at its working voltage.  Only at the full working circuit voltage does this capacitor fail.  Old Stuff Rules!

 

A couple of matched electrolytics are installed.

 

These monitors live to rock it another day!

Thanks for reading all the way to the end!

CONTACT – David Latchaw EE
281-636-8626

Peavey 1810 Bass Enclosure Crossover Doesn’t (Crossover)

Most of what you see in this post works well. However, a crossover network inside the speaker cabinet doesn’t work at all. Could the Unbrokenstring Crew sort out a solution that would put this cabinet back to work?
Here is some file old hardware from the 1980s.  This cabinet has an eighteen inch subwoofer underneath two ten inch loudspeakers.

 

Behind this panel is found a crossover network that routes the input signal to the proper destinations.  The crossover automatically routes the really low frequency stuff to the 18 inch loudspeaker and the rest is routed to the ten inch loudspeakers.  Or, you can specify which signal goes to which driver using the BI-AMP jacks.

 

The sheet metal screws hold this circuit board in place.  An inductor plugs into the pins in the center of the picture.

 

The input jacks are seen in this view.  The capacitor is part of the crossover network, and has been replaced.  As this is in a high powered audio network, the electrolytic capacitor is a non-polarized variety.

 

We can examine the circuit side of the printed circuit board to figure out the schematic for this assembly.

 

This inductor is cooked.  Unfortunately, this part is no longer available.

 

An examination of the inductor may give us some clues that we could possibly use to fix it and use it again.

 

This component can take the place of three different inductors, thus the three wires.  Any two wires yield a different inductance.  Unfortunately, the insulation is thoroughly cooked.  No salvaging this guy.

 

The functions of each ‘net’ on this circuit board is labelled with a felt tip marker.

 

For this particular model of crossover, the inductor wires we need to use are indicated by this inductor symbol.

 

This is an inexpensive crossover kit, with similar specifications.  We can harvest this inductor for use in the crossover.

 

Here are a few details, listed on the end of the box.

 

This inductor is has a laminated bar core.

 

We can remove this inductor from the circuit board and use it in the Peavey circuit.

 

The back side of the donor network is covered with some self-adhesive foam rubber.

 

The foam sticks really well!  But now we have access to the solder joints that need to be unsoldered.

 

The mechanical mounting scheme is VERY robust for this heavy part.  We can use all of this in the Peavey circuit.

 

These white plastic caps are handy to hold the mounting nut and to insulate the exposed iron core.

 

We will use the original circuit board as a template for finding and marking places to drill new mounting holes in the Peavey circuit board.  We can search around for a practical mounting location.

 

The mounting holes are marked.  Away We Go!

 

One end of the inductor is electrically wired here.

 

The other end of the inductor is wired here.

 

We will make lock the threads of the mounting screws with this stuff.

 

The thread locking compound is thin enough to seep into the threaded fasteners and lock them.

 

Now, we can reassemble the crossover network assembly.

 

The original inductor was mounted in the foreground.  This doesn’t look to tacky, does it?

 

One last look before it disappears into the enclosure.

 

The panel is ready for reassembly into the enclosure.

 

No.  Wait.  We need a new gasket between the I/O panel and the cabinet enclosure.  This self-adhesive foam strip material is just the ticket for this application.  Note the mitered corners.  Because I’m OCD like that.

 

Holes for the mounting screws are cleared with the Exacto knife.

 

OK, NOW is one last look at this assembly.  The wire pairs go to the loudspeakers in the cabinet.

 

This system is pretty awesome.  Everything tests out at full power.  Life Is Good!

Thanks for reading all the way to the end!

CONTACT – David Latchaw EE
281-636-8626

Ibanez Compressor Pedal CP10 Repair

Mysteriously, this pedal just went mute while playing.  Can the Unbrokenstring Crew get it going again?

I find this to be a unique design.  But I cannot help but think that the assumption was made that everyone uses their right foot to run the pedal.  Using your left foot is a little awkward.

 

Let’s make a quick tour of the unit.  The pointers on these molded knobs are actually easy to see when the unit is on the floor.  The LED indicates that the unit is in circuit and active.

 

Pushing this little tab out allows the pedal pad to open.

 

The 9v battery goes here.  This switch is actually soldered to a small circuit board underneath.

 

Removing the bottom cover exposes the circuit board.  The black shiny sheet in the middle is an insulator.

 

The circuit board tips out like this.  But, there’s more!

 

The controls are located on a smaller circuit board underneath.  Out it comes!

 

These bushings align the shafts of the controls in the holes.  They just push in like grommets.

 

Now we can get to everything.  The switch itself is left installed in the housing.

 

Troubleshooting begins, using my massive Marshall Stack as an output indicator.

 

The signal is traced to here.  And then the signal disappears.  Can you see it?  I can’t either.

 

This capacitor is open-circuit.  No signal shall pass this way again.

 

Here is a replacement.

 

The replacement goes here.

 

The new cap is soldered in and the flux is cleaned away from the board.  Because I’m OCD like that.

 

Everything is working again.  We’ll put this unit back together and do a final test!

 

This looks no different than the first picture.  Except, this one works.

Thanks for reading all the way to the end!

CONTACT – David Latchaw EE
281-636-8626